Stacie's latest studio record DAMN GIRL! is her most diverse by far. Get ready for a ride that has lots of twists, turns and a few surprises. 12 tracks recorded with her touring band THE AL-MIGHTY 3.

MUSICIANS: Stacie Collins: Lead Vocals, Harmonica, Background Vocals, Percussion. Jonathan Sudbury: Electric & Acoustic Guitar, Keys, Mandolin, Percussion, Background Vocals. Al Collins: Bass & Electric Guitar, Background Vocals. Ola Göransson Wedin: Drums and more cowbell!

PRODUCTION: Mixed by Joe Martino. Recorded by Martin Ekelund at Lemon Recording Studio. Mastered by Alex McCollough at True East. Additional Recording / Editing by Al Collins at Underdog Studios. Additional Recording / Editing by Jonathan Sudbury at JS Studios. Additional Recording by Michael Webb at 8:05 Recording. Produced by Al Collins for Underdog Productions. Executive Producer Rene Weisskopf.

SPECIAL GUESTS: Martin Ekelund: Cello, Upright Bass, Banjo on track 9, Background Vocals on tracks 2 & 10, Keyboards on tracks 1 & 2, Percussion on tracks 5, 9 & 10. Michael “8:05” Webb: Keyboards on tracks 5, 6 & 11. Brad Pemberton: Drums on track 3, Percussion on all tracks except 10 & 11. Pontus Snibb: Percussion track 9.

ART DIRECTION: Graphic design and layout: Paul Needham. Photographs by Roger Johansson • 12 Bar Photo - Front and back covers, Trudi Knight • Bands On Stage - Inside band spread, Stefan Johansson • Photo by Stephan - Thank You page, Paul Needham • Paul Needham Foto - Disc label.

Stacie's latest studio record DAMN GIRL! is her most diverse by far. Get ready for a ride that has lots of twists, turns and a few surprises. 12 tracks recorded with her touring band THE AL-MIGHTY 3.

MUSICIANS: Stacie Collins: Lead Vocals, Harmonica, Background Vocals, Percussion. Jonathan Sudbury: Electric & Acoustic Guitar, Keys, Mandolin, Percussion, Background Vocals. Al Collins: Bass & Electric Guitar, Background Vocals. Ola Göransson Wedin: Drums and more cowbell!

PRODUCTION: Mixed by Joe Martino. Recorded by Martin Ekelund at Lemon Recording Studio. Mastered by Alex McCollough at True East. Additional Recording / Editing by Al Collins at Underdog Studios. Additional Recording / Editing by Jonathan Sudbury at JS Studios. Additional Recording by Michael Webb at 8:05 Recording. Produced by Al Collins for Underdog Productions. Executive Producer Rene Weisskopf.

SPECIAL GUESTS: Martin Ekelund: Cello, Upright Bass, Banjo on track 9, Background Vocals on tracks 2 & 10, Keyboards on tracks 1 & 2, Percussion on tracks 5, 9 & 10. Michael “8:05” Webb: Keyboards on tracks 5, 6 & 11. Brad Pemberton: Drums on track 3, Percussion on all tracks except 10 & 11. Pontus Snibb: Percussion track 9.

ART DIRECTION: Graphic design and layout: Paul Needham. Photographs by Roger Johansson • 12 Bar Photo - Front and back covers, Trudi Knight • Bands On Stage - Inside band spread, Stefan Johansson • Photo by Stephan - Thank You page, Paul Needham • Paul Needham Foto - Disc label.

Stacie's latest studio record DAMN GIRL! is her most diverse by far. Get ready for a ride that has lots of twists, turns and a few surprises. 12 tracks recorded with her touring band THE AL-MIGHTY 3.

MUSICIANS: Stacie Collins: Lead Vocals, Harmonica, Background Vocals, Percussion. Jonathan Sudbury: Electric & Acoustic Guitar, Keys, Mandolin, Percussion, Background Vocals. Al Collins: Bass & Electric Guitar, Background Vocals. Ola Göransson Wedin: Drums and more cowbell!

PRODUCTION: Mixed by Joe Martino. Recorded by Martin Ekelund at Lemon Recording Studio. Mastered by Alex McCollough at True East. Additional Recording / Editing by Al Collins at Underdog Studios. Additional Recording / Editing by Jonathan Sudbury at JS Studios. Additional Recording by Michael Webb at 8:05 Recording. Produced by Al Collins for Underdog Productions. Executive Producer Rene Weisskopf.

SPECIAL GUESTS: Martin Ekelund: Cello, Upright Bass, Banjo on track 9, Background Vocals on tracks 2 & 10, Keyboards on tracks 1 & 2, Percussion on tracks 5, 9 & 10. Michael “8:05” Webb: Keyboards on tracks 5, 6 & 11. Brad Pemberton: Drums on track 3, Percussion on all tracks except 10 & 11. Pontus Snibb: Percussion track 9.

ART DIRECTION: Graphic design and layout: Paul Needham. Photographs by Roger Johansson • 12 Bar Photo - Front and back covers, Trudi Knight • Bands On Stage - Inside band spread, Stefan Johansson • Photo by Stephan - Thank You page, Paul Needham • Paul Needham Foto - Disc label.

This release is a reissue of Stacie Collins' self titled debut record from 2000. The reissue includes 7 bonus tracks consisting of alternative mixes and demo versions of songs from 1999 and 2000.

Before Stacie discovered the electric Chicago Blues harp sound that she's known for, she honed her craft in singer songwriter venues. The songs on her debut record were tested in listening rooms and acoustic venues prior to moving to forming her first band. In fact, most of this record was recorded before she ever fronted a band; hense the many acoustic based songs and ballads. These are the first songs Stacie and her husband / writing partner Al Collins wrote together. The first of many since their humble beginnings back in 1999/2000 when these songs were recorded.

This record has been out of print since 2003 when Stacie started performing with her band in Nashville, TN. Her style developed and became more electric after performing with a band and so the decision was made to keep this record out of print in an effort to not confuse the fans of her live band shows with this more acoustic based record. That said, the record stands the test of time and with so many people requesting Stacie to rerelease it, she is making it available once again.

This original version is only available as a download BUT... in the Spring of 2018 it was released in cd form with 7 bonus / alternative tracks of some of the songs. CD Baby will distribute the record in the states and indie label Blue Rose Records will distribute in Europe.

"Taking inspiration from everyone from Merle Haggard and Buck Owens to Steve Earle and Lucinda Williams, Stacie Collins has come up with a rock solid debut. Collins meshes classic country with bits of roots rock, folk and blues resulting in a disk that runs the gamut... If you want a disk with substance and not just a bunch of cookie cutter radio country then check out this gem."- The Music Korner

1. Big Freight Train
2. All She Needed
3. Set Me Free
4. I'm Tryin'
5. Time To Fly
6. When The Mornin' Comes
7. Once Upon A Time
8. Dandelion
9. Charlie
10. Blame It On Me
11. Sweet Dream
12. All My Dreams Come True Bonus / Alternative Tracks: 13. Sweet Dream (alternative mix) 14. I’m Tryin’ (acoustic version with strings) 15. Set Me Free (acoustic version / no drums) 16. When The Mornin’ Comes (acoustic version / no drums) 17. Charlie (acoustic version / no drums) 18 Blame It On Me (alternative mix) *19 Dandelion (demo version)

On Roll the Dice, Collins rocks with fury, then spreads out over an expansive roots music terrain. Her 4th studio record has what you'd expect from Stacie Collins and also a few left turns. It's a fine blend of 70's flavored rock-AND-roll mixed with gritty-blues and old-school-country like her previous releases BUT on this record she has taken a few turns off of her usual path yet never straying too far.

Roll the Dice, her fifth album showcases an exuberant, harmonica-drenched, cocktail of rock, blues, and Americana. For this one, Collins brought in her bass-playing husband, guitar slingers Dan Baird (The GA Satellites, Homemade Sin) and Audley Freed (The Black Crowes, Dixie Chicks, Jakob Dylan), drummer, Brad Pemberton (Ryan Adams, Steve Earl) and other master musicians. “With players like that, the energy comes from the music, and it becomes all about heart,” she says. “You leave your brain somewhere else. I don’t know how to classify this stuff, but people say it’s unique and familiar at the same time.”

The album showcases Stacie's harp playing and uses a bit more acoustic harp than previous recordings, which gives the the record a more diverse pallet of sweet and dirty harmonica tones. Guitarists Baird and Freed weave their parts together perfectly, filling out the left and right speakers to compliment Collins' soulful vocals. The rhythm section of Brad Pemberton and Al Collins lay the foundation and Michael Webb tastefully adds a touch of B3 and accordion. In Stacie's words "They're the best damn band a gal could dream of".

Overall, this is Stacie's most interesting and diverse record to date, giving her long time fans what they expect and then some. This will also be her first official vinyl release which is sure to make some audio-file fans very happy. So take it for a spin but hold on with both hands. There are gonna be some twists and turns!